{"id":99,"date":"2022-05-10T18:24:04","date_gmt":"2022-05-10T18:24:04","guid":{"rendered":"https:\/\/conceptbox.info\/?p=99"},"modified":"2024-05-30T00:18:17","modified_gmt":"2024-05-30T00:18:17","slug":"the-true-meaning-of-luck","status":"publish","type":"post","link":"https:\/\/conceptbox.info\/index.php\/2022\/05\/10\/the-true-meaning-of-luck\/","title":{"rendered":"The True Meaning of Luck"},"content":{"rendered":"\n<p>This is an essay prompt for <em>The Old Man and the Sea <\/em>by Ernest Hemingway. The novel contains many forms of symbolism revolving the protagonist. Luck being one of the more clear ones.<\/p>\n\n\n\n<p>        \u201cYou never know what worse luck your bad luck saved you from\u201d- Cormac McCarthy. Take Santiago, the unluckiest man in Cuba, but he has the most optimistic view about life. In a town in a state of poverty, an unremarkable, old fisherman named Santiago has gone without catching a fish for 85 days. While most of the other fishermen shunned him and the bad luck he carries, a young boy named Manolin has hope for Santiago and knows that he will catch a fish. In <em>The Old Man and the Sea <\/em>by Ernest Hemingway, one motif is displayed repeatedly by Santiago and Manolin: Luck. Hemingway manipulates luck in an intricate manner, such that the novel revolves around the motif of luck and its effects on everyone. He introduces a theme: People may question a person\u2019s luck, however, their luck does not define them, but their hard work and skill do.&nbsp;<\/p>\n\n\n\n<p>         In <em>The Old Man and the Sea<\/em>, our protagonist, Santiago, symbolizes the bad aspect of luck. The narrator states at the beginning of the book: \u201cBut after forty days without a fish, the boy\u2019s parents had told him that the old man [Santiago] was now definitely and finally <em>salao<\/em>, which was the worst form of unlucky. The boy\u2019s parents had told him [After he and Santiago were unable to catch fish for 40 days]\u201d (Hemingway, pg.1). The narrator says that Santiago was <em>salao <\/em>which, according to the novel, was the worst form of unlucky. Hemingway displays Santiago being a symbol of bad luck and misfortune because of his futile efforts to catch fish. On the contrary, Santiago believes that his hard work, skill, and experience could turn the tables as&nbsp;he says, \u201c It is better to be lucky. But I\u2019d rather be exact.\u201d (Hemingway, pg.11). Unlike other peoples\u2019 beliefs in his <em>salao<\/em>, Santiago knows that his skill and experience in fishing will end his streak of bad luck. Thus, Hemingway uses Santiago as a symbol of bad luck, and how Manolin, alone, sees past it at the real Santiago.&nbsp;<\/p>\n\n\n\n<p>           The novel may show the old man as a symbol of bad luck, but it also manifests good luck in the form of the protagonist\u2019s friend and follower: Manolin. While Manolin was still fishing with Santiago, they had many great experiences, but it ended when Manolin\u2019s parents stopped him because the old man\u2019s luck was changing, he reminded Santiago,&nbsp; \u201cBut remember how you (Santiago) [the boy] went without fish for eighty-seven days without fish, and then we caught big ones every day for three weeks,\u201d (Hemingway, pg.10). When the old man was alone he couldn\u2019t catch much fish because his <em>salao<\/em> prevented him from doing so, but with Manolin there, even if it was after his bad luck stopped him, they caught big fish for every day for three weeks., Furthermore, Manolin believes in Santiago\u2019s skill so much that he tells him, \u201c..And the best fisherman is you (Santiago)..\u201d (Hemingway, pg.23). Hemingway demonstrates Manolin\u2019s belief in Santiago\u2019s abilities, and how no one could change that. In short, Manolin symbolizes good luck and fortune, and the book shows his understanding of Santiago\u2019s true skill and the efforts put into fishing. In conclusion, Hemingway chose Manolin as the symbol for good luck to help bring balance to Santiago and to create a \u201cfather-son\u201d bond with them, using their aspects of luck as the foundation of their bond. Hemingway also uses Manolin\u2019s care and affection for Santiago&nbsp;to demonstrate how they would stand up to the whole world together, all because of their aspects of luck.&nbsp;<\/p>\n\n\n\n<p>&nbsp;        Throughout the novel, Manolin and Santiago\u2019s care for each other is shown in many ways, one of which is through luck. When Manolin had to stop fishing with Santiago and asks if he could go fishing with him despite his father\u2019s wishes, Santiago replies \u201cNo\u2026 You\u2019re with a lucky boat. Stay with them.\u201d (Hemingway, pg.10) Santiago knows that fishing with Manolin is what he enjoys but, because of his <em>salao<\/em> and Manolin\u2019s parents, he agrees not to. His affection for Manolin is displayed, as he is willing to give up his happiness for Manolin\u2019s sake, all for something that wasn\u2019t even his fault. All in all, the author portrays the bond between Santiago and Manolin, by showing how Santiago would sacrifice so much for Manolin, even if it is because of his luck, something he cannot control.&nbsp;<\/p>\n\n\n\n<p>       All in All, Ernest Hemingway uses luck to define the story as a whole. Such as when he uses it to define the protagonist of the novel. And when he symbolizes Manolin with luck. And lastly, how he shows the connection between two opposite characters: Manolin and Santiago. In summary, Ernest Hemingway uses luck as the motif of the story, however, he displays one theme throughout the book as the realization that Santiago makes: Luck may be good, but only the knowledge, skill, and effort a person have put in truly matter.<\/p>\n\n\n\n<p>Word count: 872<\/p>\n\n\n\n<p>Work Cited&nbsp;Hemingway, Ernest. <em>The Old Man and the Sea. <\/em>New York: Simon and Schuster Inc., 1995<\/p>\n\n\n\n<p> <\/p>\n<div class=\"pvc_clear\"><\/div><p id=\"pvc_stats_99\" class=\"pvc_stats total_only  \" data-element-id=\"99\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" version=\"1.0\" viewBox=\"0 0 502 315\" preserveAspectRatio=\"xMidYMid meet\"><g transform=\"translate(0,332) scale(0.1,-0.1)\" fill=\"\" stroke=\"none\"><path d=\"M2394 3279 l-29 -30 -3 -207 c-2 -182 0 -211 15 -242 39 -76 157 -76 196 0 15 31 17 60 15 243 l-3 209 -33 29 c-26 23 -41 29 -80 29 -41 0 -53 -5 -78 -31z\"\/><path d=\"M3085 3251 c-45 -19 -58 -50 -96 -229 -47 -217 -49 -260 -13 -295 52 -53 146 -42 177 20 16 31 87 366 87 410 0 70 -86 122 -155 94z\"\/><path d=\"M1751 3234 c-13 -9 -29 -31 -37 -50 -12 -29 -10 -49 21 -204 19 -94 39 -189 45 -210 14 -50 54 -80 110 -80 34 0 48 6 76 34 21 21 34 44 34 59 0 14 -18 113 -40 219 -37 178 -43 195 -70 221 -36 32 -101 37 -139 11z\"\/><path d=\"M1163 3073 c-36 -7 -73 -59 -73 -102 0 -56 133 -378 171 -413 34 -32 83 -37 129 -13 70 36 67 87 -16 290 -86 209 -89 214 -129 231 -35 14 -42 15 -82 7z\"\/><path d=\"M3689 3066 c-15 -9 -33 -30 -42 -48 -48 -103 -147 -355 -147 -375 0 -98 131 -148 192 -74 13 15 57 108 97 206 80 196 84 226 37 273 -30 30 -99 39 -137 18z\"\/><path d=\"M583 2784 c-38 -19 -67 -74 -58 -113 9 -42 211 -354 242 -373 16 -10 45 -18 66 -18 51 0 107 52 107 100 0 39 -1 41 -124 234 -80 126 -108 162 -133 173 -41 17 -61 16 -100 -3z\"\/><path d=\"M4250 2784 c-14 -9 -74 -91 -133 -183 -95 -150 -107 -173 -107 -213 0 -55 33 -94 87 -104 67 -13 90 8 211 198 130 202 137 225 78 284 -27 27 -42 34 -72 34 -22 0 -50 -8 -64 -16z\"\/><path d=\"M2275 2693 c-553 -48 -1095 -270 -1585 -649 -135 -104 -459 -423 -483 -476 -23 -49 -22 -139 2 -186 73 -142 361 -457 571 -626 285 -228 642 -407 990 -497 242 -63 336 -73 660 -74 310 0 370 5 595 52 535 111 1045 392 1455 803 122 121 250 273 275 326 19 41 19 137 0 174 -41 79 -309 363 -465 492 -447 370 -946 591 -1479 653 -113 14 -422 18 -536 8z m395 -428 c171 -34 330 -124 456 -258 112 -119 167 -219 211 -378 27 -96 24 -300 -5 -401 -72 -255 -236 -447 -474 -557 -132 -62 -201 -76 -368 -76 -167 0 -236 14 -368 76 -213 98 -373 271 -451 485 -162 444 86 934 547 1084 153 49 292 57 452 25z m909 -232 c222 -123 408 -262 593 -441 76 -74 138 -139 138 -144 0 -16 -233 -242 -330 -319 -155 -123 -309 -223 -461 -299 l-81 -41 32 46 c18 26 49 83 70 128 143 306 141 649 -6 957 -25 52 -61 116 -79 142 l-34 47 45 -20 c26 -10 76 -36 113 -56z m-2057 25 c-40 -58 -105 -190 -130 -263 -110 -324 -59 -707 132 -981 25 -35 42 -64 37 -64 -19 0 -241 119 -326 174 -188 122 -406 314 -532 468 l-58 71 108 103 c185 178 428 349 672 473 66 33 121 60 123 61 2 0 -10 -19 -26 -42z\"\/><path d=\"M2375 1950 c-198 -44 -350 -190 -395 -379 -18 -76 -8 -221 19 -290 114 -284 457 -406 731 -260 98 52 188 154 231 260 27 69 37 214 19 290 -38 163 -166 304 -326 360 -67 23 -215 33 -279 19z\"\/><\/g><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/conceptbox.info\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p><div class=\"pvc_clear\"><\/div>","protected":false},"excerpt":{"rendered":"<p>This is an essay prompt for The Old Man and the Sea by Ernest Hemingway. The novel contains many forms of symbolism revolving the protagonist. Luck being one of the more clear ones. \u201cYou never know what worse luck your bad luck saved you from\u201d- Cormac McCarthy. Take Santiago, the unluckiest man in Cuba, but he has the most optimistic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[11],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/conceptbox.info\/wp-content\/uploads\/2020\/06\/TheOldManAndTheSea.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pc4QJF-1B","jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/posts\/99"}],"collection":[{"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/comments?post=99"}],"version-history":[{"count":2,"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/posts\/99\/revisions"}],"predecessor-version":[{"id":173,"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/posts\/99\/revisions\/173"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/media\/149"}],"wp:attachment":[{"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/media?parent=99"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/categories?post=99"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/conceptbox.info\/index.php\/wp-json\/wp\/v2\/tags?post=99"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}